Seamus Murphy

Seamus Murphy began photographing Afghanistan in 1994, and his new book A Darkness Visible: Afghanistan, is a classic on the rise of the Taliban and...

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Written on the Forehead

on 06 December 2011 by Seamus Murphy

Over the next twelve days we will be featuring a new music video featuring PJ Harvey by Seamus Murphy daily. The accompanying text by Seamus will give an insight into his thoughts about making the videos. ENJOY!

When I heard the opening with its Middle-Eastern war setting, I thought of using black and white photographs I had taken in similar conflict zones. Mixing them with the scenes of quiet desperation of England came later. I didn't know that the young woman standing and crossing her feet in a crowd, or the jet trail in the sky, would end up where they do or even feature in this or any of the films. Call it random, but usually the pictures themselves suggest what works together. The music has a lot to do with the choice and a sympathy between them develops. It ended up as a way to show how different are all our lives, 'Us and Them', and a reminder that we are all connected as humans, all vulnerable with human emotions. Shooting pictures makes you observe in a detached way, whether in the West Bank, Mogadishu or London's Waterloo Station. Afterwards you try to make sense of them; they will mean something uniquely personal to everyone. The opening with PJ Harvey's lyrics spoken in Arabic was shot in a pub on the Portobello Road.

 

PJ Harvey Web Site

www.pjharvey.net

 

England Photo Essay by Seamus Murphy

http://www.viiphoto.com/showstory.php?nID=1230

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